Thursday, December 05, 2013

Marlon Brando via Caracas, Barcelona, and London…Catching up with Harald Meyer-Delius




Harald Meyer-Delius’ Printsome blog post suggesting my paintings might look good on t-shirts caused a ripple effect of paranoia from LA to London, and had my publisher scrambling for advice on international copyright laws, as I tried to envision, “You Have Been Disconnected” (my tribute to Alain Delon and Anton Newcombe) on a v-neck, while wondering whether Printsome was part of some art forgery ring. 

It all got pretty exciting, but then I remembered I’m an existentialist, so I decided to let actions speak louder than words and reached out to Printsome’s ambitious blogger to find out just exactly what he had in mind for the cast of characters in my noir paintings…knowing how much they prefer enigmatic to emblematic.

Not really to my surprise I discovered Printsome is a completely legit UK apparel company and art blog based in London and run by a very cool group of designers, writers, and forward thinkers, including their talented arts writer and subject of this post. Misunderstandings now passé, Harald and I decided it would be fun to interview each other.

What follows is my conversation with him about things like reincarnation, Marlon Brando, and Fight Club, obviously. So will some of my paintings ever become prêt-à-porter? To quote Chuck Palahniuk, “Nothing is static. Even the Mona Lisa is falling apart!”

 
Illustration by Harald Meyer-Delius

GH: What’s great for me as an artist is when I get the opportunity to chat with the new generation of graphic arts professionals, as our artistic impetus is similar, but now it’s much easier to develop creative ideas than it was when I was in college. It seems every kid owns a Mac, musicians use Logic Pro, filmmakers generate entire movies on them, and grandmothers are using Photoshop. Do you think these tools are encouraging creativity or hindering it because they’re making things so easy?

HMD: In a way they’re encouraging it because it gives us extra tools to work with, but at the same time it gives people the opportunity to skip the pen (or pencil) and paper and go straight to the computer. I think one should always sketch first on paper and then take that to the technology. Creativity flows better that way - I think so, at least. 


GH: You were born in Venezuela, you live in Barcelona, and you work in London. You must have some amazing frequent flier miles! How did you hook up with Printsome in London?

HMD: I don’t travel as much as I would like. Since I only write one piece per week for Printsome’s blog, I freelance from Barcelona. How did I end up there? Well, Ed (Printsome’s CEO) and I go way back, but we had lost touch. Then one day, out of the blue, he called me and asked me if I wanted to work with him. That was it.  

GH: Your illustrations are very “dreamscape,” the expression of one who is very much in touch with their subconscious, if not another time or place. Do your dreams influence your work? Do you believe in reincarnation?

HMD: My dreams influence me a lot, actually. I always like to draw and write what I dream about. It has given me a lot of ideas over the years. In the end we really don’t know what’s “real” - the life we experience when we’re awake or the one we experience when we’re asleep, so I listen to both of them. 

Do I believe in reincarnation? Sort of. I believe that souls behave in a similar way to the cycle of water. Like snowflakes, souls are unique and when they melt (when we die) they mix with the other melted snowflakes to create a big mass of water and then a cloud, to later turn into other unique snowflakes. So basically, is a cycle that never ends.  

GH: You are the arts and culture writer for Printsome. We’re living in a time of anything goes fashion-wise. No one glances twice seeing someone who looks like they attended the original Woodstock or is channeling their inner 70’s John Travolta. You asked me how I feel about seeing kids in Ramones T-shirts and I replied originality is more about how you “execute” an idea. As a whole, do you feel enough people in their 20’s strike out into un-chartered territory, or do they rely on trends that have been done before?

HMD: People in our 20’s tend to try and figure out who we are and what we like, so we tend to end up wearing a mix of different trends that kind of reflects what’s going on inside. Some like to think that what they’re doing is new, but in reality, like that quote from Fight Club, everything is a photocopy of a photocopy of a photocopy. (I’m paraphrasing). Designers and magazines like to say otherwise, but nothing is new.  

GH: I read that you studied fashion design in Milan, definitely the right place! Between the fashion design, illustration, and now a post graduate in creative communication and writing, have you finally chosen your path as an artist, or is it even necessary you do?

HMD: I think it is necessary for me to stick to something. I don’t like the feeling of floating around with no clear path, but at the same time I’m in a moment in my life where I’m trying to figure out who I am and I understand that that doesn’t happen overnight (at least for me). I believe that what I enjoy doing the most is writing. I have all the tools to create books (I know of editorial design, I illustrate and I write) so hopefully I’d like to do that in the future. In the meantime, I’m working as a graphic designer during the day and as a writer/blogger during my spare times. 

GH: When I create I have to have everything perfect in my “zone,” the right caffeine buzz, the right music, I’ve even gone so far as plotting astrological conditions, and God help anyone who gets in my space. Do you have any of these “OCD” rituals when you create? Please say yes!

HMD: I guess that something that I do that could be considered “OCD” is that I need a clean space in order to work. I’ve gone as far as to clean my entire apartment just to be able to sit down and work. Other than that, I need it to be quiet and to be alone, but that’s about it. 

GH: Now I must ask you, as it was the humble T-shirt (or my sarky blog piece) that started all this…who wins your T-shirt icon of all time?

HMD: I’ve never thought about it to be honest. I guess I would have to say Marlon Brando in “A Streetcar Named Desire. Just the thought of him in that tight t-shirt is enough to makes my ears hot. 

GH: Yes, mine too!

Illustration by Harald Meyer-Delius
"Gladiolas" - Acrylic on Canvas - Meyer-Delius


For more visit his website: Harald Meyer-Delius


“I took a test in Existentialism. I left all the answers blank and got 100.”

 – Woody Allen

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