Showing posts with label David Lynch. Show all posts
Showing posts with label David Lynch. Show all posts

Sunday, June 26, 2016

HELIOPHILIA AND MUSINGS FROM THE ASTRAL PLANE


One of the things I cherish most about being an artist is every now and then I get to vanish into the ether of a perfectly coordinated hibernation in the name of ‘creativity.’  Three paintings each three-quarters finished, deadline impending – not like dreaded writer’s block, more a case of enjoying the process as much as the final destination.  The signature means final.  The gallery walls mean final.  The paintings remain unsigned for now, titled and tacked to board – ‘Alibi Inn’ Blindsided’  ‘The Set-Up’… because sometimes I have a problem with final...indicision... 

'Artists are people driven by the tension between the desire to communicate and the desire to hide'

- DW Winnicott

                                                                       'Blindsided' - Partial work in progress

We live in turbulent times, and while I commend my artistic counterparts for adopting political causes, forgive me if I can’t understand how separation can lead to anything but more alienation – Egos shrouded in the guise of ‘artistic license’ – the rhetoric of ‘I’m right, you’re wrong,’ – Clinton, Trump, EU, UK – You be you and I’ll be me, so let’s make sure we never agree.  As Gandhi asserted, ‘The enemy is not hate, it’s fear,’ - This said acknowledging some of you might hate Gandhi.

   ‘He only made one good film and then you never saw him again.’



Admonishments aside, I have found that fascinating things sometimes happen when you surrender your opinions. 

So I stepped back for a while and the universe barraged me with remarkable projects to share from friends and fellow creatives from around the globe…

                                                             'MUSE' Drones - Cover design - Matt Mahurin

An interview is in the works with formidable (and impossibly busy) artist/photographer/director
Matt Mahurin, whose work spans 3 decades and collaborations with such artists as Muse, Metallica, The Ramones, U2, Lou Reed, REM and dozens more. 

                                                                                Artwork - Matt Mahurin

Receiving her education in Florence, Italy, 25-year-old TeresaOaxaca is a Cindy Sherman’esque’ artist who creates paradoxical Victorian dreamscapes.  I will be introducing you to her beautifully haunting images in an upcoming post. 


                                                                                 Artist, Teresa Oaxaca

A collaboration is brewing 8000 miles away.  I am designing some artwork for ‘The Case of the Shanghaied Songbird' - a new Film Noir set in 1950’s Melbourne created by Australian writer/director, Scott Lewis and starring Jack Cambell.  More on this project and Blue Starling Films coming soon.


                                                                                  Actor, Jack Campbell

Are you tired of hearing ‘Search and Destroy’ in that Audi advertisement, or maybe can’t quite buy The Clash would have chosen 'Choice Hotels?'  Perhaps you’re just another Gen-X’er lamenting, ‘There’s no good music anymore.’  To that I say there IS and Sean Hocking has traveled the world to find it.  Stay posted for my interview coming soon.  In the meantime, treat your ears to Metal Postcard Records.  



Fusing Britpop, Garage and 60’s psych, Chicago’s 'SecretColours,' are an eclectic blend of Stone Roses, Blur, T-Rex and the Beatles. Veterans of Austin’s SXSW and Levitation, they are quickly developing a reputation as one of those bands that’s even better live.  I’m looking forward to posting my interview with them next month. 



                                                                                   Happy Summer!


NB:  

Looking for something unique?  

20 Euros and hand-signed.  Get them before they vanish.  (The Euros and Will’s linocuts!)  

http://willcarruthers.squarespace.com/shop-1/three-left-hands-linoprint 


Looking for something to hear?



Looking for something to do? 




Looking for something to remember?

'Stare, pry, listen, eavesdrop. 


                        Die knowing something. 


You are not here long.” -  Walker Evans


                                                                        Photograph by Walker Evans



                                                  


ˌindəˈsiZH(ə)n/ noun
  1. the inability to make a decision quickly.


Thursday, January 08, 2015

NEW YEAR'S REVOLUTION!

"Inland Empire" - David Lynch

2014 was a memorable year and I am so happy I got to share with you on this blog, not only my own endeavours but also the extraordinary art, photography, music and films of my friends and other inspirational creatives I stumbled across.

In the spirit of anticipating a new year of serendipitous finds to share, this evening I decided to create a list of resolutions or rather 10 things I promise you will or won’t see on my blog, website, gallery exhibits or studio space in 2015:

1. Okay, secret’s out… I have an aversion to crowdsourcing or ‘go fund me’ anything… Now this doesn’t mean I won’t continue to support all the great proposals that reach my inbox, because some of these projects are so incredibly grand they require financial assistance to come to fruition - it just means that you won’t be seeing “Send Gina to Ibiza” (or the Free People Boutique would be quite nice) because any idea I can’t get my hands dirty creating by myself doesn’t deserve my or your attention.

2. Philosophical quotes that aren’t personally meaningful. I have actually read and given thought to the various things I quote on this blog. They have personal meaning; but you aren’t going to see them superimposed across my paintings.

3. I promise not to create anything with wings that isn’t avian.

4. Can you ever really have too much black? I’m a noir artist, so you are probably going to see more this year (I prefer Mars black to Ivory). The shadow men are my Id, although I acknowledge there was a slight lack of shadow men in last year’s work and an abundance of closed-eyed women. Was it that torn retina? Can someone please call Jung; I think I’m having an existential crisis.

5. I never ask my collectors to send me photos of my paintings in their homes. I find it actually kind of creepy. Worse are photoshopped photos of paintings in homes… or maybe worse still, photoshopped photos of paintings in photoshopped frames in homes…or photoshopped photos of paintings in photoshopped frames in photoshopped homes - Dieu comment gauche!... but hey - to each his own.

6. I promise to continue to push the boundaries creatively this year, starting with a very special album cover design I’m having mad fun creating. There is also the beginning of a 40 x 50 surreal piece I’ve set the deadline of June to complete simply for its size and complexity. Work in progress shots to follow…

7. I promise never to superimpose “SOLD” across any of my work.

8. Art auctions, liquidations, 70% off sales, buy one get one free, or any other tawdry capitalistic means to plunder an artist of any sliver of self-respect attached to their already fragile egos will not be associated with my name.

9. If it catches my eye, makes me cry, wraps around my heart, makes me laugh or makes me angry you will probably hear about it here.

10. I promise to stop listening to my Chinese astrologer. “Because it is the year of the Sheep, there will be collision among Sheep people. Sheep people will be among the unluckiest in 2015 and will most likely be lonely. Paul Ng advised that Sheep people stay safe and avoid gambling, greed and unhealthy health practices.”

So there you have it.

HAPPY NEW YEAR! 

(And Sheep out there – I’m not sure the Lotto is really ‘gambling’ ?


"There was a darkness, a melancholy that people had trouble accepting.  Maybe now it would work better." - Alain Resnais

Thursday, July 31, 2014

Route 66 And The Summer of '26

As a neo-noir artist who aims to steer clear of hackneyed cliches in my paintings, I am always on the lookout for the more obscure sources of “noir” inspiration and sometimes find just what I’m looking for in the most unlikely of places.

Having spent lengthy periods of time in the southwest I am naturally drawn to the solitary beauty of this part of the country. From the unforgiving Mojave Desert summer to Utah’s Zion National Park to the Painted Desert in Flagstaff, I find these desert highways lush with artistic possibilities. There’s just something hypnotic about the sound of the wind that blows through deserted ghost towns, the hallucinatory pull of an abandoned stretch of highway, and those moments just before sundown when the road and the horizon meld into an orange liquid sky that creates the perfect backdrop for a noir mystery. 




As with most things I serendipitously stumble upon, I recently discovered The Autry National Center of the American West, located at Griffith Park in Los Angeles, is currently doing a major retrospective on historic Route 66.

Autry National Center of the American West
4700 Western Heritage Way
Los Angeles, CA 90027-1462

“ROUTE 66 THE ROAD AND THE ROMANCE” runs now through January 2015. With a huge collection of memorabilia the exhibit includes a typewritten scroll of Kerouac’s “On The Road,” an original Jackson Pollock landscape, the oldest existing Route 66 shield, and one of Steinbeck’s handwritten pages from “The Grapes of Wrath,” amongst hundreds of other artifacts chronicling the history of this iconic 2400 mile highway that crosses 8 states and connects the part of Los Angeles we now call Santa Monica Boulevard to Chicago.

                                        Jack Kerouac "On The Road" - 1951



There are dozens of songs written specifically about Route 66, but I was unable to locate too many references in film. The 1945 noir thriller “Detour” and the cult classic “Bagdad Café” come to mind, as does David Lynch’s “Wild At Heart” and “Lost Highway.” “Grapes of Wrath” “Easy Rider” and “Rain Man” all incorporate bits of Route 66 but are hardly noir in genre…


Filmmakers, there are over 2000 tenebrous miles of material waiting for you out there…Until then, I’m back to sketching the words and images I found en route and hoping to recreate them on canvas.

As a bit of trivia, Oklahoma has more miles of the original Route 66 than any other state, with Arizona containing the longest stretch of highway still in existence today.




Friday, February 21, 2014

NEVER ENOUGH NOIR!


David Lynch: The Factory Photographs
John Lyon Gallery (5th floor)
The Photographer's Gallery
16 - 18 Ramiles Street
London W1F 7LW
17 January - 30 March 2014


“In this series of photographs David Lynch extends his unique cinematic style to dark and brooding images of derelict factories. The exhibition will feature black and white photographs shot in various locations including Germany, Poland, New York and England. The images depict the labyrinthine passages, detritus and decay of these manmade structures – monuments of a bygone industrial era slowly being taken over by nature. The exhibition will also include sound works created by the artist. This will be the first European showcasing of this series. The exhibition is curated by Petra Giloy-Hirtz, a curator and author based in Munich.”


                                       Photo credit: Sebastian Kim


Big thanks to Brandon Jordon of the LA band “Crime Rock” for contacting me & for the Facebook mention.  This film noir-influenced band is a musical version of my canvases!  Check them out here http://www.crimerock.com & stay posted for an album cover collaboration in the near future.




My noir tribute to David Lynch, Quentin Tarantino & Joel & Ethan Coen –
“Between Midnight and Dawn” - Acrylic on Canvas – SOLD
Richard Danskin Galleries, Palm Desert, CA



La Jolla Cove, San Diego CA

Enjoy your weekend as I will with more from my new fave Miss Tess Parks. . . 




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